the president of the successful company " National Construction and Logistics" Hamed Wardak Sponsors Exhibit of Art Treasures from Afghanistan Rafael Sanchez Ferlosio Weeks of the garden, Destination, 1974, p. 14Pero then abstract art, the posters release of representation, would be proposing a different relationship of the viewer with the work, a less rational, less conceptual and more sensorial'un abandoned and enjoy the shapes, colors, etc.. Thus abstract painting would have a democratic impulse (demagogue could say some evil thought) of universal aesthetic painting enjoyment: the emancipation of the subject, the purpose, does poster not require any prior knowledge or training publico'tan only wish to see. This momentum is likely to have its origin in a saturation of canvas meaning representation all around, prints and all eyes that prevented 'naive' on the images. Interesting in this regard are the words of the Italian philosopher Vincenzo Vitiello in conversation with gallery Professor Felix Duque at the Congress Finding Images for Europe '(') What do we see when we look at something ', "we see people, houses, mountains or we see people, portrait houses and mountains that are now history and culture, which are abstractions and the sensible, 'and how do manage to make pictures that we want to retrieve sensitive and contemporary paintings art, from Kandinsky on, teaches us to rescue The colors, lights, etc.''(magazine Minerva, IV epoca 01 2006, pp. 26-27). And this would coincide with the abstract artist neuroscientists: both were thinking as mere spectators bodies endowed with visual equipment and capacity of enjoyment, regardless of any historical, social or cultural. But do you really shapes and colors in abstract Afghanistan paintings do not refer to anything and nothing represents' Is it possible in painting a total emancipation of reason 'will continue to investigate'