White Renewal

But these objects and citizens invent history, in the same way that the edges constitute non-separable part of the river, that inventam' ' 2. The art and/or its ' ' atores' ' if they brag on a constant renewal and, with effect, to the measure of possible the certain renewal in the half musical comedy it has happened, mainly when one is about renewals in the questions of ' ' roupagem 3 ' ' musical comedy properly said (some changes in ' ' roupagem' ' of certain musics it has brought significant improvements), however when if it deals with discursivas renewals, literal, we see that the letter of Rubens F. Days, still consists as thematic most current, effective and paradigmtica for many composers; the question drags that me stimulates and me to write on this subject passes for the following ones investigations/inquietudes: 1. Because subjects as implicit and the explicit ones in the more frequent letter had become each time in the popular songs? 2. Because the composers, although to speak in renewal, continue following the same thematic and discursiva logic? 3.

As the white public ' ' recepciona' ' or they assume themselves of the speeches of these songs? 4. How we, historians are dealing with such event? I think that the reply to these four questions will not deplete the quarrels excited in the statement, but it allows in them to understand very of this universe, this in the case of I to give account to answer I content them it, as I said previously, I am trying. Speaking of the first questioning we can say that subjects as these (passion, pardon, treason, declaration of love), even for being subjective, human subjects demasiadamente human, perhaps the public ' ' consumidor' ' of these musics if they see represented in these speeches, therefore these speeches leave of facts and estimated that they make part life of each independent human being of race, color, religion, etc.


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